Oil Paintings
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Jean-Auguste-Dominique Ingres 1780-1867
French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original.
Jean-Auguste-Dominique Ingres Self-Portrait mk52
1858
Oil on canvas
62x51cm
Uffizi,Florence
Painting ID:: 56217
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Jean-Auguste-Dominique Ingres odalisque and slave mk247
1842,oil on canvas,29.5x41.5 in,75x105.4 cm,walters art gallery,baltimore,md,uas
Painting ID:: 56613
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Jean-Auguste-Dominique Ingres loui-franvois betin mk248 sittande pa en enkel stol mot en diskret fond ar bertin, grundare ocb ansvarig utgivare av journal des debats, sinnebijden av den jiberala borgarklassen ocb etabjissem anget. detta utsokt tecknde portratt betraktas som ett av 1800 talets fornamsta ocb ett av ingres absoluta masterverk.
Painting ID:: 56614
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Jean-Auguste-Dominique Ingres jupiter och thetis mk248 i denna ikkustration fran homeros iliaden vadjar tbetis till fupiter att bamnas grekernas orattvisa mot bennes son akilles. ingres avbildar tbetis i den sedvanligt forlangda gestalten av en odalisk vars kropp smyger sig runt den massiva, arkitektoniska gestakt som ar fupiter. samtidigt aterspeglar fupiters imperatoriska balling ingres nyklassicistiska gestaltning av napoleon i ocb forebadar honeros apoteos.
Painting ID:: 68887
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Jean-Auguste-Dominique Ingres apotheosis of homer 1827 oil on canvas 386x515cm
se
Painting ID:: 73286
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Jean-Auguste-Dominique Ingres Portrait de Pierre-Francois Bernier Portrait de Pierre-François Bernier
1800
cjr
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Jean-Auguste-Dominique Ingres
1780-1867
French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original.
